Tony Lucca and Chris Mann also advance to the final four, while Lindsay Pavao, Katrina Parker, Erin Willett and Jamar Rogers exit.
By John Mitchell
The results are in, and the four “Voice” contestants moving on to the finals have been decided.
Each artist was assigned two scores, both out of 100, following their performances on Monday night’s show. The first came from their respective judge, while America’s vote determined the other. The contestant from each team with the highest overall score advanced to the finals.
With no last-chance performances or saves left in the game, the night’s singing came from last year’s top four: Dia Frampton, Vicci Martinez, Beverly McClellan and winner Javier Colon.
Frampton, who repped Team Blake last year, was first to the stage, performing her new single “Don’t Kick the Chair” with Kid Cudi. If anything, the fact that Frampton remains a viable enough recording artist to be performing the lead single from her upcoming record with a major artist like Cudi is a testament to the fact that whether they advance or not, these folks will be just fine.
After Frampton’s performance came the night’s first elimination. Aguilera evenly split her 100 points between her two contestants, Chris Mann and Lindsay Pavao, saying the two were so different and performed so strongly that she felt it right to let America decide who should advance.
America’s vote was close, but ultimately it was Mann who prevailed, earning a total score of 104 to Pavao’s 96, meaning America’s vote went 54 to 46 in Mann’s favor.
Season-one finalist Vicci Martinez performed her new single, “Come Along,” and she got a little hlp from mentor Cee Lo.
Next up was Adam, who awarded Tony Lucca 60 points to Katrina Parker’s 40, saying that while Parker is easily the contest’s most improved contestant, he felt that, going into the finals, his connection with Lucca would better serve the rocker on his way to a potential victory.
America, it seems, felt the same. Lucca prevailed with an overall score of 108. Parker did snag an impressive 48 points from America’s vote, though her total score of 92 fell short.
Team Christina’s season one contestant, rocker Beverly McClellan, hit the stage next to perform “Money Changes Everything” with ’80s pop icon Cyndi Lauper. McClellan, like Frampton, has a new album, Fear Nothing, on the way, reaffirming the sentiment Adam shared with his own team when they were on the chopping block: that all the contestants should take the exposure they’ve gained being on such a popular platform and use it as a launching pad, as both Frampton and McClellan (regardless of the fact that they lost) clearly have.
After last year’s winner, Team Adam’s Javier Colon, wowed the crowd with his new single “Drop in the Ocean,” Team Blake hit the ring to find out who would stay and who would go.
Like Christina, Blake evenly divided his 100 points between Erin Willett and Jermaine Paul, saying he didn’t want to be part of the decision-making process anymore. (At least he was honest.) However, America went big for Jermaine, giving the former Alicia Keys backup singer a whopping 77 points for a 123 total. By comparison, Willett totaled only 77.
The night’s biggest surprise came when Team Cee Lo stepped forward for elimination. Cee Lo chose to go the Adam route, splitting his points 60/40 between rocker Juliet Simms (60), whose performance of “It’s a Man’s Man’s Man’s World” earned the most praise of the night from the panel, and Jamar Rogers (40).
With his compelling backstory and high-energy performances, Rogers has been a front-runner throughout the competition, but America clearly felt the same as the judges regarding Juliet. She snagged another 61 points from the public vote for a 121 total, besting Rogers’ combined 79.
Juliet Simms and Jermaine Paul also pull out all the stops for their mentors and America.
By John Mitchell
With a trip to the finals on the line, Monday night’s (April 30) “Voice” semifinals saw the remaining two artists from each team take the stage to sing their hearts out for America’s votes and high scores from the coaches, which, combined, determine who moves on to next week’s finals.
First up was Mouseketeer-turned-rocker Tony Lucca, who ditched his guitar for the first time in the competition to show off a different side of himself, singing “How You Like Me Now.” Lucca upped his game last week with his rocking rendition of Britney Spears’ ” … Baby One More Time” and knew he had a lot to prove.
Without his guitar to hide behind, Lucca delivered plenty of pop-star swagger. Blake summed it up most succinctly, saying Lucca’s swinging performance was reminiscent of similarly suited-up Robert Palmer in his prime. Even Christina, who has often been Lucca’s harshest critic, went on and on with praise for so long that host Carson Daly cut her off. (Didn’t he notice her tiara? Who cuts off a pop diva in fishnets and a bejeweled crown?)
Erin Willett entered the ring with a “special song choice”: a rearranged take on David Guetta and Usher’s dance thumper “Without You.” It was a risk, but that’s what Erin, who said during rehearsals she felt like she’s “never had a moment” on the show, was after. She was expectedly powerful, earned a thumbs-up from the judges and got very emotional onstage when she finished singing, but we’re not sure everything came together just right to make the performance memorable for the right reasons.
Throughout the competition, Christina has pushed classically trained Chris Mann into pop and rock territory to prove — both to himself and the voting public — that he could do more than sing opera (as he did during the blind auditions). However, as the contest winds down, Aguilera was keen to show off what attracted her to Mann in the first place (his perfect voice) and gave the singer one of the most well-known classical songs ever, “Ave Maria.” He nailed it, so much so that Aguilera caught Cee Lo tearing up. Aguilera was so moved by Mann’s performance that she jumped from her chair and joined him onstage to give him a hug.
Fan favorite Jamar Rogers from Team Cee Lo was next to the stage with the classic “If You Don’t Know Me by Now.” A born entertainer with a penchant for high-energy performances, Rogers reeled it in this time, hoping to showcase his voice, and the judges took notice.
“Forget the competition for a minute,” Adam said. “I’m just a fan of what you do.”
Though they are ostensibly competitors, there’s always a good bit of camaraderie among the contestants on “The Voice,” and that showed through when the teams joined forces for group performances of the Killers “All These Things That I’ve Done” (Teams Cee Lo and Adam) and Lady Gaga’s “The Edge of Glory” (Teams Christina and Blake). Similarly, though they may bicker in their judges’ chairs, Christina was bobbing her head (a task given how much that jeweled tiara must weigh) along to Blake’s performance of his new single “Over.”
Hoping to show that Mann isn’t the only true powerhouse male vocalist in the competition, Blake paired former Alicia Keys backup singer Jermaine Paul with Journey’s massive ballad “Open Arms.” Jermaine rose to the challenge, digging deep into the song’s emotion and tackling the song’s runs with aplomb.
The judges were not shy about praising Paul’s performance. “You came in and you murdered that song,” Christina said. “Jermaine, I would like to congratulate you, because you are no longer a background singer, my friend,” Adam added. But his own coach made the most crucial point, given how close Paul is to the finals, saying, “You’re peaking at the right time.”
Katrina Parker also opted to change things up, singing “Killing Me Softly” in the style of the Fugees’ remake. Outside her usual Adele-like belting, she showed off a new vocal personality — more sultry and raspy than ever. Noting that later in the night the judges would be forced to award percentages to the contestants and that Tony Lucca and Adam are maybe a more natural mentoring fit, Christina championed Parker, telling Levine to “take a look at Katrina Parker because she’s a star.”
Having saved her from elimination twice in the competition, we think he gets it, Christina.
While many singers opted to show off a different side of themselves, being in the bottom two last week chased Lindsay Pavao right back into her hipster-indie wheelhouse, where she found Bon Iver’s “Skinny Love” waiting for her. The performance was very Florence and the Machine-lite, with Pavao looking ethereal while strumming a guitar and sounding as unique as ever. Even Blake complimented Christina’s strategy of returning her contestants to their roots (Mann with opera and Pavao with light indie rock).
The final contestant to hit the stage was rocker Juliet Simms, singing James Brown’s “It’s a Man’s Man’s Man’s World.” She earned a standing ovation from her coach Cee Lo and fawning praise from the rest of the judges (Adam said she was “the one to beat” tonight), but Aguilera’s words of support — saying that Simms sings for herself and that often leads to the most gut wrenching performances — were perhaps the most important, as she tore the roof off the 2007 Grammys with her take on this song.
At the very end of the show, the coaches were given 100 points to divide between their two contestants, the results of which will be tabulated alongside America’s vote and revealed Tuesday to determine who moves on to the finals.
Who are your picks for the finals? Let us know in the comments below!
‘Hunger Games,’ ‘Bridesmaids’ and ‘Harry Potter’ run away with this year’s noms — don’t miss the show Sunday, June 3, at 9 p.m. ET/PT on MTV!
By Kara Warner
Who’s already excited for the 2012 MTV Movie Awards?
We’ve already announced that chart-topping indie-pop group Fun. will rock the Movie Awards stage with a performance toasting the greatest party films of all time, plus the addition of five excellent and intriguing new categories: Best Music, Best On-Screen Transformation, Best Gut-Wrenching Performance, Best Cast and Best On-Screen Dirtbag. What more could you ask for?
How about the list of this year’s lucky nominees who will by battling it out for the coveted Golden Popcorn trophy live from the Gibson Amphitheatre in Universal City, California, at 9 p.m. ET/PT on Sunday, June 3? Fan voting opens Tuesday at 8 a.m.
Here they are, in all their eclectic, well-deserved glory: the 2012 MTV Movie Award Nominees!
Movie of the Year
Pop-star-turned-actress and her ‘Battleship’ co-stars premiere exclusive clip tonight at 7:56 p.m. on MTV, followed by a 30-minute interview on MTV.com.
By Josh Horowitz
If there is a downside to what I do (talk to very talented, beautiful people), it’s that sometimes you’re sitting in between Rihanna, Brooklyn Decker, Taylor Kitsch and Alexander Skarsg
‘We did training just before the shoot, speeding the boat, turning, learning how to shoot and handle the weapon,’ singer-turned-actress tells MTV.
By Kara Warner, with reporting by MTV UK
There are only a few more hours until Taylor Kitsch, Alexander Skarsg
The actor tells MTV News he expects to play the superhero ‘for a long while.’
By Kevin P. Sullivan
With the Avengers finally assembling next week, Marvel Studios and the stars behind the heroes have already begun to look ahead to the next films set in the comic-book universe. At the closing night celebration of the Tribeca Film Festival on Saturday night (April 28), Robert Downey, Jr. spoke with MTV News about the future of his character, Iron Man, and addressed recent talk about other actors playing the role in the future.
At CinemaCon last week, Marvel Studios president Kevin Feige mentioned to Badass Digest that when it came time for Downey to leave the role of Tony Stark behind, a new actor could pick up right where he left off, like in the James Bond films.
But Downey told MTV News on the red carpet that he wasn’t so thrilled about the idea of someone else playing Tony Stark. “I would really hate for someone else to think they could step into my shoes,” he said. An infamous jokester, he couldn’t help but ask, “I wonder who’s playing Tony Stark next. Is it you? Is that what you’re here to tell me?”
But Downey can’t be Iron Man forever, and while the 42-year-old actor couldn’t say for sure how many movies he has left in him, he made clear he’ll be interested as long as they remain good films.
“I know things are looking like that they could go on for a long while,” Downey said. “As usual in my book, it’s all about quality control and delivering a product that you can have this kind of reaction to. If they keep doing that, maybe I’ll keep showing up.”
In Downey’s immediate Marvel future, there’s next year’s “Iron Man 3.” The past few weeks have seen actors like Sir Ben Kingsley, Guy Pearce and Jessica Chastain potentially joining the cast, and Downey said that he could not wait to work with “any or all of them.”
“It’s funny. Sometimes you have to call for a good old-fashioned British invasion,” Downey said. “‘Iron Man 3′ is really shaping up to be something special. We start in a couple weeks. I’m sure I’ll be leaking secrets to you as we move ahead.”
What secrets, you ask? Well, it was recently announced that “Iron Man 3″ would be co-produced in China. As for whether any filming would take place in the East, Downey was less forthcoming. “I’d like to tell you all my secrets,” he said,” but I forget them.”
Check out everything we’ve got on “The Avengers.”
Pop star tweets standard and deluxe album covers for June 19 release, cryptically telling fans, ‘expect the unexpected.’
By Katie Byrne
Judging by the cover art for Justin Bieber‘s Believe album, the 18-year-old pop star is well aware of one of his best assets: his boyish good looks. The cover, which Bieber tweeted on Friday evening (April 27), is simply a black-and-white close-up of his face with the word “BELIEVE” stamped in a yellow caution-tape font underneath.
“Here is the #BELIEVEalbumCover standard version,” he tweeted, followed by a second tweet that included a sepia-toned version of the same image: “and this is the DELUXE #BELIEVEalbumCover – #52DAYS – excited? expect the unexpected.”
After posting the Believe album cover on Friday, Bieber retweeted one fan’s over-the-top reaction to the artwork: “That awkward moment when I almost ran over a lady and hit the car in front of me cuz I saw the #BELIEVEAlbumCover lololol,” @julieannxoxo wrote.
Bieber just revealed the June 19 Believe release date last week on “The Voice,” also bringing along a teaser from his yet-unreleased “Boyfriend” video. Even after revealing that sneak peek, Bieber was spotted shooting new scenes for the highly anticipated video, kissing a mystery brunette (hey, that’s not Selena!) on set.
“The concept of this video, I mean, it’s not like a steady concept,” Bieber told MTV News while shooting the video back in March. “It’s not like ‘Justin follows this girl to this spot.’ No, it’s a bunch of amazing scenes: like a fire scene, we have an ice scene.
“It’s kind of like bouncing back and forth,” he said. “And then there’s scenes of me and just a bunch of girl dancers, and just some great shots, great artistic shots, great shots of me smiling. It’s fun.”
What do you think of the album cover? Let us know in the comments below!
Mixtape Daily previews Jones’ new tape, which drops Tuesday.
By Rob Markman, with reporting by Michael Primo
The O.D.: A Mixtape Daily Exclusive
Jim Jones has quite the street catalog. From his 2002 mixtape Ryder Muzik to his original M.O.B. tape with ByrdGang in 2006 and The Ghost of Rich Porter in 2010, Jim has no shortage of quality underground material.
On Tuesday, Capo plans to follow tradition when he drops F.E.A.S.T.
“I’ve been working on the mixtape called the F.E.A.S.T.; it’s called ‘Family Eatin’ and Stay True,’ ” Jones told Mixtape Daily. “We’ve got a dope group of individuals. Some you’ve seen before, some new faces.”
Jones isn’t stopping with music. For F.E.A.S.T., he plans to drop a number of cinematic music videos. “I picked, like, eight songs, and I’ve strung ‘em along like movies,” he said. “Something good for people to look at. I haven’t seen something like that in a minute. I think it’ll be very interesting.”
Check back with Mixtape Daily on Tuesday to see more on Jim Jones’ F.E.A.S.T., and check out the tape’s track list below!
1. “F.E.A.S.T Prelude”
2. “No Way” (featuring Trav)
3. “Paper Chase” (featuring Trav)
4. “Comin From” (featuring T.W.O and Sen City)
5. “Get Mine” (featuring Sen City)
6. “True Religion” (featuring Ryder and Hynief)
7. “60 Rackz” (featuring T.W.O)
8. “Show Off” (featuring Trav)
9. “Don Juan” (featuring Mel Matrix)
10. “Don’t Judge Me” (featuring Future)
11. “Top of the Year” (featuring Sen City, Mel Matrix, T.W.O, Lady H, Trav, Shoota, Chris Luck and Pure)
12. “Suicide” (featuring Ryder, T.W.O and Sen City)
13. “Forgive” (featuring T.W.O)
14. “Youu” (featuring Sen City)
15. “AirOnes” (featuring Ryder)
16. “Sleep When You’re Dead” (featuring Trav, Mel Matrix and Shoota)
17. “Vamp Life”
For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines.
Mr. Worldwide walks MTV News through his ‘Back in Time’ music video set.
By Rob Markman, with reporting by Vanessa White Wolf
Not only does the “Men in Black” movie franchise boast great acting and stunning visual effects, each of the three films features a pretty kicking soundtrack as well. For “Men in Black 3,” which hits theaters May 25, Pitbull contributes the lead single, “Back in Time.”
MTV News caught up with Mr. Worldwide on the Los Angeles set of the “Back in Time” video and he gave us a pretty cool walk-through.
“What we’re doing here, to sum it up in layman’s terms, is making history,” Pit said. “The concept is basically all about the movie. The slogan for the movie is ‘Back in Time.’ In the record I say, ‘In order to understand the future we have to go back in time.’ ”
The clip not only features “MIB3″ movie scenes, it was actually filmed on the movie set, blending the Miami rapper’s performance shots seamlessly into Will Smith and Tommy Lee Jones’ action shots. “As far as the sets that you see right now, it’s just integrating and running parallel with everything that you see in the movie,” Pitbull explained.
It was the Fresh Prince himself who recorded the theme songs — 1997′s “Men in Black” and 2002′s “Black Suits Comin’ ” — for the first two installments of the “MIB” trilogy. For the upcoming flick, Pit took over and used a sample of Mickey and Sylvia’s 1950s classic “Love Is Strange” for inspiration.
Now that he’s clocked his first collaboration with Big Willie, Pitbull hopes that they can work together some more. “I would love to follow in Will Smith’s footsteps,” he said. “We’re working on the music for the movie, and hopefully, one day, we’ll work in a movie together.”
What do you think of Pitbull’s “Back in Time” video? Tell us in the comments!
Seoul, South Korea, set list heavy on new material, but Gaga’s biggest hits come out to play.
By John Mitchell
Lady Gaga kicked off her hotly awaited Born This Way Ball at Seoul, South Korea’s Olympic Stadium on Friday (April 27) in front of 45,000 fans, and despite protests from Christian groups saying Mother Monster was “obscene” and could “taint” young people with her performance, the concert appears to have gone on without incident.
Intrepid Twitter fans are already showing off pictures and video of the BTW Ball’s enormous Gothic castle backdrop and myriad costume changes, making it clear that Gaga has outdone even her own Monster Ball in terms of spectacle.
While we wait for reviews to trickle in from halfway around the world, one thing is certain: No minors were corrupted at the show. Earlier this month, the Korea Media Rating Board decided to elevate the age rating for the concert from 12 to 18, prohibiting minors from seeing the concert. When the board notified Gaga’s tour promotion company and a sponsor of the change in age restrictions, it did not offer a reason why the show — which at the time was still in rehearsals and had not been reviewed publicly — was considered unsuitable for children under 18.
The likely catalyst for the board’s decision came more into focus as the concert neared and protests from a group of conservative Christians calling itself the Alliance for Sound Culture in Sexuality ramped up. The group covered Seoul with posters accusing Gaga of “spreading unhealthy sexual culture” through “lewd lyrics and performances.”
The superstar and her fans, however, were undeterred. Though she tweeted her hopes that the Korea Media Rating Board would reverse its decision (it didn’t), she continued on as planned. Many fans reportedly arrived at the show wearing versions of Gaga’s most well-known flamboyant costumes, and there have been no reports of disturbances at the concert.
Before the show, Gaga tweeted, “I can you hear you Korea. I’m shaking.”
Gaga’s performance was heavy on material from her Born this Way album, though her biggest hits, including “Bad Romance,” Poker Face” and “Just Dance,” were represented.
Lady Gaga’s Born This Way Ball set list:
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